{"id":66,"date":"2019-05-10T19:20:00","date_gmt":"2019-05-10T19:20:00","guid":{"rendered":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/chapter\/bibliography\/"},"modified":"2023-06-07T15:24:49","modified_gmt":"2023-06-07T15:24:49","slug":"bibliography","status":"publish","type":"chapter","link":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/chapter\/bibliography\/","title":{"raw":"Bibliography","rendered":"Bibliography"},"content":{"raw":"Cohen, Ted. \"High and Low Art, and High and Low Audiences.\" The Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 137-43. doi:10.2307\/432308.\n\n&nbsp;\n\nDrohojowska-Philp, Hunter. \"Superflat.\" Artnet. January 14, 2001. Accessed May 1, 2019. http:\/\/www.artnet.com\/Magazine\/features\/drohojowska-philp\/drohojowska-philp1-18-01.asp.\n\n&nbsp;\n\nHogan, Marc. \"Tom Sachs Explains Frank Ocean's Endless \"Stairway to Heaven\".\" Pitchfork. August 21, 2016. Accessed May 3, 2019. https:\/\/pitchfork.com\/news\/67699-tom-sachs-explains-frank-oceans-endless-stairway-to-heaven\/.\n\n&nbsp;\n\nMcLeod, Ken. \u201cAfro-Samurai: Techno-Orientalism and Contemporary Hip Hop.\u201d Popular Music 32, no. 2 (2013): 259\u201375. doi:10.1017\/S0261143013000056.\n\n&nbsp;\n\nMurray, Derek. \"One Planet Under a Groove: Hip Hop and Contemporary Art.\" Nka: Journal of Contemporary African Art 16 (2002): 60-65. Accessed March 19, 2019). https:\/\/muse.jhu.edu\/.\n\n&nbsp;\n\nStrauss, Matthew. \"Tricky Stewart, Who Signed Frank Ocean to Def Jam, Slams Label for Mistreatment of Frank.\" Pitchfork. August 26, 2016. Accessed April 20, 2019.\u00a0 https:\/\/pitchfork.com\/news\/59145-tricky-stewart-who-signed-frank-ocean-to-def-jam-slams-label-for-mistreatment-of-frank\/.","rendered":"<p>Cohen, Ted. &#8220;High and Low Art, and High and Low Audiences.&#8221; The Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 137-43. doi:10.2307\/432308.<\/p>\n<p>&nbsp;<\/p>\n<p>Drohojowska-Philp, Hunter. &#8220;Superflat.&#8221; Artnet. January 14, 2001. Accessed May 1, 2019. http:\/\/www.artnet.com\/Magazine\/features\/drohojowska-philp\/drohojowska-philp1-18-01.asp.<\/p>\n<p>&nbsp;<\/p>\n<p>Hogan, Marc. &#8220;Tom Sachs Explains Frank Ocean&#8217;s Endless &#8220;Stairway to Heaven&#8221;.&#8221; Pitchfork. August 21, 2016. Accessed May 3, 2019. https:\/\/pitchfork.com\/news\/67699-tom-sachs-explains-frank-oceans-endless-stairway-to-heaven\/.<\/p>\n<p>&nbsp;<\/p>\n<p>McLeod, Ken. \u201cAfro-Samurai: Techno-Orientalism and Contemporary Hip Hop.\u201d Popular Music 32, no. 2 (2013): 259\u201375. doi:10.1017\/S0261143013000056.<\/p>\n<p>&nbsp;<\/p>\n<p>Murray, Derek. &#8220;One Planet Under a Groove: Hip Hop and Contemporary Art.&#8221; Nka: Journal of Contemporary African Art 16 (2002): 60-65. Accessed March 19, 2019). https:\/\/muse.jhu.edu\/.<\/p>\n<p>&nbsp;<\/p>\n<p>Strauss, Matthew. &#8220;Tricky Stewart, Who Signed Frank Ocean to Def Jam, Slams Label for Mistreatment of Frank.&#8221; Pitchfork. August 26, 2016. Accessed April 20, 2019.\u00a0 https:\/\/pitchfork.com\/news\/59145-tricky-stewart-who-signed-frank-ocean-to-def-jam-slams-label-for-mistreatment-of-frank\/.<\/p>\n","protected":false},"author":11,"menu_order":4,"template":"","meta":{"pb_show_title":"","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-66","chapter","type-chapter","status-publish","hentry"],"part":59,"_links":{"self":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapters\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/wp\/v2\/users\/11"}],"version-history":[{"count":1,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapters\/66\/revisions"}],"predecessor-version":[{"id":67,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapters\/66\/revisions\/67"}],"part":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/parts\/59"}],"metadata":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapters\/66\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/pressbooks\/v2\/chapter-type?post=66"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/wp\/v2\/contributor?post=66"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.usnh.edu\/openingcontemporaryart\/wp-json\/wp\/v2\/license?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}